Monday, October 1, 2018

Film Co.,




1, the doom that came to Gotham.,


Gotham, family, the sketch is Citizen K, family quarrel, survivors build, surrounded by strangers who are counting the last days


the gift...


(a) ((Antony Faqua


(b) ((Teco Benson




2,  Uncle Tooom's Cabin...


(a) ((T, Gary, Gary


(b) ((Hype Williams




3,  Dark Sands


(a) ((Steven McQueen




4,  The Virtues of War


Vintage., Darius III


(a) ((Chris Williams




5, (The Lure of a Woman

...about othul., (T.V, portrait of a film co.,


Opr. Towenthu...


(((IOTU)


(('Sunset Studios


(('Universal Studios


((Miramax


(S.O



TO OGUN...


 
We celebrate the Nigerian Independence far from the Country with (Cowentu and the rest of mankind. It is interesting that each year we reflect on the struggles of the founding fathers and mothers for the right to govern the country.

We are sure that those who witnessed the era were not certain how to run to the country of 70 million, and whether or not they were likely to make it.

The list Nnamdi Azikiwe, Obafemi Awolowo, Herbert Macaulay will always be remembered for overcome...

 

 


S.O

alto...

Jefender...

Wednesday, August 8, 2018

Cape Verde

Not my omage alternator
Not my courage in the story of the large nation
Not my people will hymie that there was no one from Cape Verde for the legislative
Not my star, the stars are in Guinea Bissua but for another season in the hot summer days of 2018, it is not my vacation spot...


There is nothing good about Vacation resorts except where people waste money they don't have...
There is nothing good about Cape Verde saving the coast that grits the yonder
There is nothing about Cape Verde as home to hospitality because they offer less


If you ask me, there is nothing going on Cape Verde except perhaps, just perhaps, myself...perhaps the large nation.


But if Cape Verde are interested in IBB tech program for Agriculture I will think that we are lucky that you are with us.


Cowentu


Sampson I. Onwuka



Friday, August 3, 2018

Tuesday, July 10, 2018

Augustine Okocha

Soto 'merije Villa park., skip to Abuja Chamber of Commerce

Sampson Onwuka Biscuit ... Yaounde., Chris Mba., Yaounde tata tu Kino.,



Allassane Quattra


Abidjan 700
Valle Du Bandama 100
Savannes 100
Yamoussoukro 100
Bas-Sassandra 100
Gon-Djibona 100
Montagnes 100
Montagnes 100
Bus Sassandra 100

Allassane Quattra --- Works, Housing,

MNI, Codinari, 


12/22/2018

Monday, July 9, 2018

election next year

Television is necessary covering whatever
bedtime stories are useful
election next year
Agrotech. ibb, Kpoi and hundreds of others
Board for water is necessary
police, too much is not enough
road, I need help
route, is complicated
State is direct order to rule

Friday, January 5, 2018

To Kareem Abdul Jabbar, for Colin Kaepernick

By \\
Sampson I. Onwuka
By
Sampson Onwuka
To Kareem Abdul Jabbar

Colin Kaepernick is not to be classified as a hero that Mohammed Ali would have been proud off and we argue that the ‘hero’ did not exactly do any wrong by kneeling during national anthem in protest of police action but was not like Ali a Champion in his own realms to exercise the rights under the searching light of an athlete left no choice but to act. There is a cause and effect in the story of Karpernick which your article did not treat, a point you made about Ali that against the expectation of blacks, he took personal actions that proved ultra-violet to what was expected of those who refused to honor the call to arms, and therefore a denial of cause and effect for Colin Kaepernick as against his merits as opposed to his demerits. Kaepernick we need to mention is not hero-complex as some people may like to frame him, either/or, he is an active member of two cultures that gave birth to him – each in their own struggled against systematic police problem in Europe and in U.S.A. He is not a hero because he and his group choose to act by taking a knee at the public theater, he is a hero of a different kind because of how his actions were perceived by the public and the public choose to vitiate his fears. NO body who is raised Jewish will not intermittently react the question of State actions on local matters, for it seems, that the man may have been forgotten as a Child of his parent's passions, that such solid personalities that identify with others are usually struggling from other problems - perhaps of uncertainty. In a way, he has come to view the view as if two separate walls exist, his and the one not visible, and in psychology, his analysis is proof that the invisible wall was ultimately real for him in 2016 with the reactionary tendencies between minority members of the public and those who were vested the power to protect the public. This is not far from Ali, yet the issue of realities in public arena often illicit the most lurid interest from the power-public.
It is amazing what do under pressure someone once said, a way of suggesting that it did not seem to the general public that beneath the air of austerity that cloaked Colin Kaepernick was perhaps a soul that see other realities too serenely, as if to suggest that the psychology beseeching a man or woman traveling through a scene of his or her fatal accident is perhaps an attempt to form the right estimate of his pressure. It doesn't mean that he, Kaepernick was no in control of his actions - it means that such action were law to the point that what seem to him police brutality and public silence and neglect had a special effect of him. Perhaps this is not the case. A case can be made that Kaepernick differs from Ali for pure reasons of his background, than the triumph of a hero who people believe overstated his favorite role as a quarter back.
It could hardly be mistaken that Kaepernick on the hand has not approached this issue by presenting himself as a morality leader, he is identifying with others, especially civil rights leaders and social provost in a way that provoke judgment and seem to argue without really accepting that his career is not an issue at this point. I shall mention that the dissent over Colin Kaepernick is not over but shouldn’t hang around much longer, o for it seems that his' is an ethical issue as opposed to its politics, that he should embrace the U.S flag publicly to remove the argument that he disrespected the U.S flag, an allegation that was not investigated by one of his ex-girl friends and a point of confusion for many people including the indigent effort made the U.S President in investigating the calumny. One can only be worthy of himself to state that after a thorough review of his conduct and his position in all these matters, there is serious confusion over what Kaepernick actually did and serious dissent over his content of his commentary dating back to 2016.

The social dissent over Colin Kaepernick’s ‘race’ commentary is one the highlights of 2016. The dissent mirrors the extent that any star athlete can divide the opinions of the public – especially during presidential election years. The reflection of 2016 is not entirely about the election and the NFL; it is to a large extent about the Kaepernick and his commentary and how the society can easily divided over the role of police. Police brutality is not an idle discussion and those who have witnessed excessive use of force seem to have problems with the fact that it is always in the black, a way of suggesting that some Americans may relate to the problems of violence. I shall pretend here that the statement by Kaepernick about the ‘systematic racism’ did not directly mention the retaliatory actions of the police on African Americans during the cyclical problem in 2016, a group too large to be considered responsible for a string of attack on Police.

From all accounts, the kneeling by Kaepernick and friends during the U.S National Anthem was said to be non-violent protest over the rising fracas between Police Authorities and African Americans. In essence Kaepernick’s action could hardly be seen as anything but a question of ethics, but we are to mention that one’s own kid brother may always have his way with you, that his actions in this case were not political from the standpoint of NFL, that he has no NFL club at this point is partly a symptom of the recent actions but also part of the fact that he is not without replacement – even if people think him special talent. Kaenernick can not be regarded a victim of his heritage, a Jewish heritage - who suffered the menace of police ruthlessness when Germany and Europe relapsed on the acceptable use of Police force. I shall withdrew comparison to Mohammed Ali in spite of the fact that he doubted the American morality of fighting in Vietnam.

Kaepernick is not a victim of his own inheritance, a black – mixed, for we know that the so called Blacks and their morality leaders, argue in America, that the ‘end of law was justice in action’ and to this saying among them is another position that the man who holds the gun may have power over life and death in Africa but the man who raises his hands in surrender also has rights. These are extra curricula with Ethics in all class of respect, that there are realms of reasonable expectations which both parties need to consider, and so admitted by U.S Courts, that under the rubric of reasonable expectations within a pretext of the Constitution are acceptable threshold for police conduct. To this old threshold for police conduct is perhaps a necessity to add that for Colin Kaepernick and company that it seem to me that they have a preponderance to reasonable expectations which is 'right to reasonable expectations. That rights to reasonable expectation may include conduct of NFL players who choose in future or now to operate within the circumstances of protest, that it may include how NFL players are to present a protest – social, political, etc., on such and such a time, including the new reality with women who are reaching back to the past where they felt they were unjustly harassed for sex….And that these expectations which are not well defined by NFL may premise the act of kneeling during certain occasions other than the national anthem, are within the ethics for demonstration and protest.

Here’s the argument, the retaliatory actions of the police could be defended as a way to enforce a status-quo, to a point that the murder of African Americans in 2016 was minimum consequence of such an action, that it was spreading throughout the country invited small criticism but on the whole, it amounted to nothing until actions were taken by Colin Kaepernick and company. We are not suggesting that the Police were right with how they handled the confusion – including the failures of F.B.I to investigate some of the claims by either side of the victim’s families, but it seems that we witnessed was a systematic way of thinking about Americans, that is, the acts were especially characteristic of a systemic failures….,among police that approved in default the use of force in dealing with Blacks for any reasons including what we call ‘worked source doctrine’. To the extent that it becoming a silent argument that they exist as they versus the Blacks.

‘Power intoxicates’ says a line from a Shakespeare drama on Julius Caesar, and given some of us who are eye witnesses to certain crimes against humanity, in New York and in 9/11/2001, were the Kaepernick and company were not confused in what they saw as a spiral case of provoked over-reaction or unprovoked ‘aggression’ which nobody believed existed in the way it manifested, that it was gradual in its evolution is true to a quick successive argument, that it was dimly lit for Blacks in U.S suggesting that there were reasons why the police re-entered their world in 2016 is a threshold, that shooting the black on even a hunch was not actions against the law and therefore a separate standing. In essence, there are reasons to believe that the Police as a general force were not justified in their actions, but it seems that some of the actions were a little to far and unnecessarily provoked creating the reason to measure what may have happened if Black police officers decided to withdraw their official support. Perhaps, the message will take a different form when the course reaches the military especially the NAVY.

The NFL may not pretend that much was not expected of their leadership during the off field race commentaries but their silence and minimum participation may explain the extent of their powers. It widens the landscape that NFL may need official power brokers to readapt some basic conflict between the players and the public to statuesque. When and if becomes necessary to intervene during dissent it will be deflate the bubble than the attempts at damages. It could be asked if the dissent was a natural reaction to a person of interest hitting a hammer at the head, or that the public lack due patient for men perhaps struggling with married life. It is a poor commentary to scar the media that perhaps if the athlete had been married – perhaps with children it could have clawed the deciding dispatch from some of the dissenters.

There are those who agree with Karpernick and there are others who disagree, to the extent that the two dissent group chart their actions differently - make the clearer picture that the statement hitting the ‘hammer at the head’ is poor show and perhaps a less redeeming summary of the commentary by Colin Karpernick to the more critical possibility that the penetration was not deep enough. Deeper into American cultural civilization is a country rooted in defense of the less privileged and less fortunate, it’s a country transformed over the centuries through the challenges of civil and social conflicts.  

 The focus is Kaepernick – at least the evolution of his person and his transformations through the years with the 49ers. The 49ers and their star quarterback are known to occasionally have their say on NFL matters and no strangers to trash talk between them and in between NFL teams. Given the speed of the dissent in nearly everywhere, especially at the NFL, it would seem from a rear-view that we may not have taken Karpernick seriously and that the maturity of Kaepernick in persons, in ideas and at a NFL was not apparent until recently. The slow observation of his psychological leaning over the years seem not to jive until recently, perhaps due to the mocking years of the failures to land a super bowl ring but also due to the sharp disconnect between sports and politics. The lines are everywhere and the audience disagrees with the extent of the political dogma and the broach to public competition and sports. We may argue that the statement by Karpernick is hardly political, that it may or may not have been arrived at through other searching reasons than the smear observation of what seem available to him.

Politics apart, sports and champion aside, we may now wonder perhaps if the influence on all of us radiated differently, that it now seem fitting to castigate him following what seem a passing commentary. Perhaps he’s not loved that well, or his kind and generous psychology is not received as a commitment to adult living. Perhaps he is worthy of his fair share of the castigation that comes with scanting criticism of American social landscape and by that he is not sorry that the statement of ‘systematic racism’ is not a lamentation or true by the yardstick known to all and asunder. In this dissent – which is not perhaps the last from NFL or even from a Colin Karpernick, we are faced with two construct, one, an – off-the -field construct and the other - his on-the-field construct. We must here choose to tend our post along the opposing construct and the dissent. We may indicate for the general public that enough exist to clarify that ‘race’ discourses – even the indigent kind – is a valued judgment destined for ashes and in trying circumstances of the public concerns – race commentary is ‘oft with spear’, a lightning rod not fitting a prince. It is also his prerogative which supersede every other concern especially on-the-field ability. 

A patina highlighting his off- field the commentary and his talent show during on the field games, gives a sense of an enduring presence, a charisma of unyielding persona. But there are others. Had we failed recognize the influence of the star athlete, it would not have mattered that he was vilified or so it seems but since Colin Kaepernick is still grasping his straw with leadership, there are elements of surprise. On a more general note, Colin may or may not have noticed that a generation of NFL quarterback have taken their leave – that Kaepernick and company lead the NFL. Colin may or may not have also noticed that there are few deciding quarterbacks out there and if there is a pecking order he is among the very elite. He is for other reason held closer to the light than every NFL player. Once every other time the onus to perform falls of these pillars and guiding lights of sports cartel and with it the higher calling.  

On the hand it could be argued that Karpernick is in reality a leader of a team in his own right, that in San Francisco if not in the country - he is a hero to poor white folks who are angst beseech about their future. He is also to rich others who include all Americans who are also in sports. If this argument is acceptable, we are safe to assert that Kaepernick left out in his commentary the fact that Americans are still tender in their emotion about the country that for instance the U.S Police did not know it all. The summary of the paragraph is that the reaction from the media and the public did not reflect the ‘race’ commentary. The churn of smiles over the issue that divided the country could not erase any doubts beneath the country’s struggle for opulence, and there are more demanding issues of U.S ability to meet the crying demands for justice and for protection in an age of information technology and personal importance. There are men still left and he end the year as it began with its expectation for better things. The rest is thrash,  

 We imagine that a star athlete on the other hand would tickle a kind of interest in the public. We can also draw from the incident the extent to which his the off-field commentary or lifestyle of a major NFL player such as Colin Kapernick would interfere with his performance on-the-field. A comparative look at some of the players at the NFL whose reactionary tendencies to public dissent may throw light on why the failure of Karpernick to mount defense raise the issues of doubts over his personal ability to defend his position. It is not the legality of his position but his legibility for what he is confronted with. For instance Jerry Rice would rephrase all the questions from the press may have reacted differently and a Tom Brady may organize his own media press release, may not be enough but state his canons will closely to the obstacle.

In short, there are lingering and undiminished surprises that accompany Kaepernick 2016 fall- out with the public, one of which is the lasting reasons for his silence during the lash from the media. We may not pretend that such silence or silencing leave with undigested facts about the whole episode. We would have expected the fast talking, thrash talking machine and one of the sexiest men in NFL called Colin Kaepernick to highlight his view to our media house. It didn’t quite happen. The circus of radioactive commentaries proved serious for his health and the silence of minorities made it look ridiculous. Let us emphasize that American has ‘systematic racism’ but the point shy from the more common fact that America was designed from its ancient beginning to tackle and end the problems of racism, gender, class, religious persecution, which are products of human ineluctability.


There are reason to doubt the ‘systematic racism’ given the ominous gaps between self-preservation which discriminates and self-preservation through public policy. It is up to the older part of Colin to call on American history through the last 200 years at least, to mention that the there are times the country lost tract of its raison d’eter and periods when it was tried for many reasons, that there are reasons why it remains faithful to its statuesque. If off-the-field Karpernick proves a polarizing figure because he was hardly taken seriously as a title contender, it would not have mattered since there are issues of championship on-the-field which require his diligence. For a man who has not won any major championship with the 49ers, there is something to prove to himself and to San Francisco. If we maintain that there reasons to doubt that his belt will buckle as quarterback of a major team – then we may yet accept that his polarizing image is concomitant with the acceptance that a Colin is no longer an affair, that a transformation was complete in 2016 and not enough. 

Since at least he holds the ace for a team that is yet to prove their point it will be interesting to see how long he last as a favorite of the 49ers. On-the-field the ball will not founder and off the field, he is no longer his past. He should not however think no body is listening but we interested in Colin. If he is off-the-real transformed, he should look to the year 2016 at the beginning of his influence, he should try in all reason to escape little distractions. Karpernick must destroy his idea of Colin not because he is adjudged at fault, that Karpernick is not student but the American.  

Thursday, January 4, 2018

Face Value; The Hidden Ways Beauty Shapes Women's lives

Review by Sampson I. Onwuka


Face Value ; The Hidden Ways Beauty Shapes Women’s lives

By – Autumn Whitefield-Madrano

Year - 2016.

 “The research on attractiveness may not make us feel more or less appealing. But it can be a guide post for where we want to focus our energies.” Autumn Whitefield-Madrano

In this book ‘Face Value’, the author discusses some of the relevant etiology of the word beauty in context of similar adjective – ‘pretty’ ‘lovely’ ‘alluring’ ‘stunning’ ‘striking’ ‘cute’, and show how they differ from each as they differ from beauty and in doing so, she widens the landscape of what is perceived as beautiful.  She complains that words English language may assign ‘beauty’ ‘pretty’ to female gender but in her view such impression more than condemns the woman. There are various ways of writing about beauty and face value. One of the ways you can discuss ‘face value’ is to emphasis beauty in context of Hollywood or in terms of Gothic art – which I think it’s a phase or Vampires attractiveness which I think is another phase – both of which the author implores and uses it to separate pre-conceived notions on what is traditionally regarded as beautiful from what the street see in a woman or a man. She may not have discussed Mona Lisa in context of modern art or narrated for the audience her impressions of Oscar Wilde’s Portrait of Dorian Gray, but she mentions Nicole Kidman as avatar for beauty. An Anatomy of Nicole Kidman – being an actor is her incarnations in 13 motivations (movies) shows her disappearing body structure – less of her face and therefore cannot hold court on face value.

The author uses several analogies in promoting the academic argument that perhaps not everybody is qualified to speak of beauty. That science is a body of facts; politics is a relapse to private and public opinion but in the subject of beauty everybody speak their mind as if they were primarily concerned with impressions. The issue of impression begins for her with facial representation usually effected through make-up, it is the face that catches the attention and focusing some ‘energy’ on the face can illicit some level of attention which may not exactly happen without your make-up. According to her theory there is something interesting about the human face, it is more interesting when the art of make-up like other expectations of beauty is put into the overall presentation. It is expected that the author is viewed as a physiognomic that equates make-up to beauty especially her flirt with the secondary need for make-up – for instance the ambience of therapy.

Yet we can decide that her sloppy masquerade of facial make-up to facial beauty is not the focus of the book, there are non-specific and generalized issues of women in how he society conceive of them. There are elements of the philosophy of ‘face value’ which make it to the book – more than the second meaning of ‘face value’ which is superficial worth of a piece of art, there are questions of attraction; for instance the attraction between two women or the facial attraction between two men. Although she sends the reader to Serena Williams as a examples of female masculinity which she copies. There is a grappling with beauty that transcends facial expression which the author did not wish to indulge.

For instance, there is an analogy which invokes in pages 36 and 38, concerning a young door man whose handsome face is the only thing that uses to impress his ‘value’ to an elderly woman. The irrelevant mention of this social scenario explains the mind construction of the author ameliorates on her view of face value and affirms that face value is not an idle conjecture of art. Where this is a false analogy on why a face is important, she is probably right that this is the case. She however salvages her comparison of beauty to mascara by leading a profound example of face value when she says that the ‘minds’ is not gorgeous because it is not visible but a face has a routine and separate value because a face is visible. If she invoked the phrase ‘beautiful mind’ in her book, I swear that I was looking for it and didn’t find it. With such trifle, we may form our estimate of the author’ preconception that she renders the idea of beauty as an art that elevates the natural forms of beauty - say for instance our body cannot be called beautiful in its natural form alone – that it requires some work, especially the face that is more visible.

The author argues that there is no ‘face value’ the mind’s construction – although the saying ‘…no act on the face that explains the minds construction’ is not also found in her book, there is an indirect allusion to this theme. The author Autumn Whitefield –Madrano looks at the relationship between a woman’s appearance and her personality, and in her view there is hardly a contrast. A woman’s appearance is hardly a picture of her character. This is not only true for the women but also for the men. What is there in a face that makes anyone looking at it for the first time falls in love with it? What is there in a face that turns the looker sideways and conjure up images of ugliness. Why of the 200 faces used by Hollywood to represent various moods only certain forms of thee faces are rarely accepted, and going at these faces, the movement of the make-up and at least the 12 steps of make up gradually lead new interpretation.

A third mordant compere is her allusion to a piece of white paper and the impact of crayons. For me, this example raises her intellectual temperature since the comparison on white paper and crayons to female face without make-up scores a full point for the book. With this view, she reveals her struggle and her split between the theme of face value and her defense of beauty in philosophic terms. While we accept her split between beauty in-of-itself and beauty for itself, there is hardly anything Hegelian or Kantian in her total formative idea, she is French in expectation, impressionist perhaps in order of Roland Barthes.  The author would have done more in widening the narrative between the lives of two women or the bi-woman in how she arranges her body to attract other female.

How the author missed the fashion industry is too hard to grasp. What has modern day selfies which explains the human obsession with the self has to do with Facebook or Twitter, or perhaps the future of Facebook which is Face Value (worth). What is the ‘worth of an idea’ asked Oscar Wilder as by Henry James? What is the worth of a face we can also ask? We could do better by asking the experts in the fashion industry, a section which ignored completely, what a marketable face looks like and how to transform any face to meet the expectations of beauty in market places. Speaking of the fashion business, we may comment for instance that a construct between Gloria Furstenberg and Diana Vreeland will give you a mirror reflection of yourself on one hand and a stethoscope of beauty and its probable worth in the market place. The rest is just selfie good for personal use.

“Experiments isolate variables so that they test only one at a time; an experiment on facial attraction might use head shots instead of full-body photographs in order to prevent participants from factoring below-the-neck appeal into their responses.”  An example of this kind of picture is the burst of Emperor Commodus showing only his upper torso up. The sculpture has a lasting effect due to the torso but in so far as the emperor’s face is concerned – his face is ordinary and can be forgotten. From this we can gyrate that there are other ingredients of face value that the book did not alight. There is no section devoted to the fashion industries, excellent examples will make her book a theater piece for conservation since the models themselves will be available for narrative.

Conception of beauty is not always a question that all beauty is a question of art, yet all beauty is entirely based as they say ‘upon a past.’ Face value concerns several dimension of beauty and from all examples, there are several shades of face value. If she holds her argument about face value with her knowledge of U.S markets and industries and what a good make-up can do for you, she ignores the rest of the world in discussing some of the basic examples of facial beauty and use of make-up. For the sake of argument, there is no mention of Asia examples, no mention of facial beauty from around the world including the facial tattoos among certain Africans and among the Indians. Americans have facial tattoos as well, so also Europa. How does one facial attraction differ from others, how does facial tattoo such as Mike Tyson’s differ from our expectations of beauty? Is there face-worth for such an alteration? Does Mike Tyson tattoo be considered beautiful on the context of its in-laid designs?

That the author failed to tell us more about the therapeutic value of a make-up is one thing, that she did not mention what a make-up looks like and all about is one other thing, that she failed to provide a leading argument on why for instance the make-up of Geisha - especially why the movie version ‘memoir of a Geisha’ differ from Micko Harode in Akira Kurasuwa’s Ran is entirely a different category of omission.  In terms of films and the film industries, Ran is a reasonable reference point especially the role of Micko Harode in narrating a ‘face value’, that is if by definition – face value also includes how a face commands a scene or an audience. The stone face character played by Micko Harode is no minor article; her death at the end of Ran is memorable for the art of narrative and story telling dovetailing a justified end is an imposition from the visual characters of the face which is in turn and in all reality an escape from her character.

If the author would have mentioned some other piece of Hollywood art forms involving the face, perhaps we could see her from larger landscape. In the movie 'Farewell my concubine' there is a feature of facial expression and painting that nearly toppled the behavioral aptitude of the men involved in the Chinese theatrical spectacle. In very hard times, when the communist party was on the rise, there is a part where the men in that movie paint each other face as if it was a therapy. Such characters are not always there in major motion pictures, but the face and the act is what the actor and the director wanted us to see, feel.  We turn to Franco Zeffirelli’s 1968 Romeo and Juliet production with Anthony Havelock-Allan and John Brabourne, and set our minds to the last scenes when Romeo (Leonard Whiting) does the line ‘eyes look your last…’ and lying there is Juliet (Olivia Hussey) a face that gave the scene is ending value.

The book is transit between a minor and major; minor since it spoke of the narrow details of beauty and face value – major since the writer has a maturity in narrative. The book fails since it wallows on attractiveness without mentioning other deciding factors of face, or what a face can do to the observer. Some faces are not attractive hence redolent with beauty. Some faces exact their value by how they command the audience or the keen observer. Can a ‘face’ “launch a thousand ships”? A line derived from Christopher Malowe ‘Dr. Faustus with background to the Trojan War concerning the courted beauty - Helen of Troy. Can a face resent anyone who looks upon it?

 “When I talk with men about how they regarded the tricks of conventional feminity, the truth was that most of them hadn’t given much thought to the matter.” This is true because most men fail to have one, because there is none. It is the woman and her artistry that compel us to see something different and the male artist understanding this fact make us spectators by his embellishing of the art.

Under the Udala Trees, Author - Chinelo Okparanta

Title - Under the Udala Trees

Year - 2015 - August 17th. - Fiction

Author - Chinelo Okparanta

Publisher - Houghton PRESS

Reviewed

Sampson I.M Onwuka




 Under the Udala Trees




A literary child of Soyinka, adopted by interest to Achebe and her work draws blood from both houses. There is color in writing; the style is 21st English – the language American than New York. There is narrative in its each page interspersed with quick and final arrival of a story of two friends at the eve of the Nigerian Civil War unaware of their biological changes and the changes taking place around them. The pages did not impress, her writing does – more like a book heavily edited to suit the tempo public interest. She hardly makes it to a genre, and one gets muddled with civil war scenario and loose the construction of her story - whereas the nature of writing is academic demonstration and it based on a further hope of the gift which must be used without fear I for one, is compelled to tickle her style. 

Taken differently, most interesting readers may be looking at the story from any given perspective, but in terms of style and authenticity of delivery - there is Soyinka to compare with. If like Soyinka, one incident from the civil war defined the book or formed the basis on her narrative, it will earn additional strip than 2 stars. There is nothing teach her than the re-affirmation that you can attack the subject as you see it.  Chinelo Okparanta has some distance to cover but not necessarily ways to go, she has some depth to descend in with story and her subject than the events that deals with her story, but a nook and tie of such nature riddled with sarcasm hardly survive the language of demonstration.

If there is such a thing as climax in writing, my impression is that hers is not such a plateau as she is a peak – the success of the book will depend on how far she walks the peak  - for instance the range between the arrival of new Pentecostal attitude in the 80’s in Nigerian and the backdrop to Ironsi’s administration.  The problem with the binary fusion in the discussion in the page is that it often fails to comport to a story line. We can argue that in writing, there are degrees of finality of personal expression which shows in any book. From such loftily the most dispassionate observer can begin to form images of her mind’s construction.

“I sucked; out of the way things had taken this unexpected turn. Out of the fact I had gone and allowed myself to marry Chibundu. Out of the fact that his job had led us away from Aba, away from Ndidi.”

“He sucked; out of the rigidness of his job. Out of the newness of his responsibilities.”

“And of Course there was again, the state of our new home. So many things old and falling apart as they were, it was a home that fueled our bad moods. If it could have done as much, the home itself would have sulked with us.”  

You are no longer looking a form of Buchi Emecheta in the first two lines, a bit of Maya Angelou in the second line and that when she mentions‘And of Course there was again…’, there is a raconteur ameliorated to Sula and Toni Morrison than Alice Walker and her ‘Color Purple’. She is not yet in this arena, she is saved by her expectations of the reader – the Nigeria; the African.
  
The unpreparedness of the Nigerian Civilian population is a language of demonstration that is blighted by the mirage of Pentecostal revival, there are hints of Brother Jerome and a repressed Soyinka and a ‘Hammered Gold’ but we lose tract of the author after a while. For a book with less 300 pages, the author is not a major. The perspective of living out a period and era is not easy detail, but based on Adiche, Chinelo Okparanta and her book merits an introduction.

Fatality does not always suggest hints of desperation which Adiche strong nerves, it seethes to a finish and the executive power of this author frail with impression of a young writer decided by nature crippled by scope.  But going forward --- her writing is bereft of youth – her images are no longer for this audience.

‘things exactly as they are and things upon the blue guitar'




‘things exactly as they are and things upon the blue guitar'


By

Sampson I. Onwuka



The Joyce Country…


I have taken interest in the literature of William York Tindall (1960), concerning in this case the Joyce Country, Ireland, on the nature of things and things upon an object. In discussing Ireland, he mentions that there are and as they were two things; ‘things exactly as they are and things upon the blue guitar. The blue instrument is art, of course. Things as they are green. That Ireland is green and Ulysses blue….” We take from Tillman the sense of ‘analogy’ - the original nature of Ulysses character that he is opiate blue as Ireland is green - perhaps from a certain angle. The inspiration for Joyce country is cast for instance upon Europe, based in part on furniture as if part of an original and permanent character in a play so described as Stephen in Stephen Hero masterpiece where the author
makes allusions to the ‘Dublin Clock’ and the sense of ‘epiphany’ which alters differently when imagination endows reality, and according the book, “Stephen of Stephen Hero is another helpful commentator for that boy could find epiphany in a grain of sand. Equivalent to his radiance, his epiphany is a showing forth and a seeing into….”


It is not impossible to conclude or accept that certain natural expectations are unnatural, a statement of reason that welcomes an acceptance that the use of the definitive article ‘upon’ for instance upon that hour defines a time defines a circumstance. It is the circumstance of this hour that elevates the observer to higher limits of human imagination, that going forward upon that 'hour' is meeting for ‘going forth’ either/or ‘looking into’.


The drama from the page takes a new look when Europe replaces the votive use of Joyce Country Ireland and Vico’s New Science as takes a form from its narrative standard of history, that history of Europe so described as a changing pattern rest upon the vistas of old villages, and here and perhaps like elsewhere - imaginations sulk that Europe is by its history transformed into character, into an idea that is infringes the sentiment of nearly every observer.

As some experts once mentioned that we take it that “…the future of the idea of Europe! If it has one, depends less on central banking and agricultural subsidies, on investment in technology or common tariffs, subsidies, on investment in technology or common tariffs, than we are instructed to believe.”


We take it that Idea of Europe – the subject of George Steiner’s Essay (2004; 2012) is on Europe as upon a fair, for here as perhaps elsewhere Europe for Steiner “…is the place where Goethe’s garden almost borders on Buchen wald, where the house of Corneille abuts on the marketplace in which Joan of Arc was hideously done to death.” In the drama that follow parts of James Joyce and his Ulysses, the author is no longer at ease with the art, his reflection is a character from perhaps an influence no longer affair for Ireland. It is not here that imaginations fail to impress than character is subject upon a ‘blue guitar’ as if Europe with ‘all its fears’ is consigned to the deep of history. The rise of Europe and its civilization began with Christianity, it staggered along the corridors of Judaism, Islam and the Gypsies, with the collapse of Christianity, it yields to its decline. It is the negative that is the picture. 


We invoke here the character of Rob Riemen and his interpretation of Steiner’s Essay that false is going forth when an idea is not upon an act. There is something of uncertainty is an act, original on how it evolves and like a play, it leads somewhere, perhaps not a play it is riddled with uncertainty. It is the resonance of an act endears as a play, for a play is upon an act, hold differently alters as well. 

Where George Steiner could not have imagined his essay upon a Joyce Country, his shift of apathy and invocations on Spinoza; ‘All things excellent are as difficult as difficult as they are rare”, swallow his commandment that you ‘do not shy away from that which is difficult’. A green guitar for Europe upon a blue outfit may or may not impress, but there is an understatement that a gap exist between what defines the difference between polar ends and actions which a natural reactions authors for a moment.

In all reality, there are limits of expectations in history and for a moment, an acts in the moment defines history, history defines an idea, and idea defines certain aspect of character. 


Rob Riemen thus says, “Europe committed suicide by killing its Jews. The destruction of six million European Jews, the destruction of six million European Jews, the destruction of the world of Mahler, Alban Berg, Hofmannsthal, Booch, Kafka, Celan, Karl Kraus, Walter Benjamin .… was also the destruction of l’esprit europeen, the idea of Europe. With the loss of this idea, nothing remained of Europe but a cultureless, soulless, purely geographic and economic entity,”


The future is not the concern of this commentator, he seeks redemption for an idea of Europe, he is a product of some past, short in the grasp of the changing landscape that perhaps elsewhere like some old Irish Country, landscapes betray, etc., and history is upon a time. He is searching for some epiphany perhaps, no more than character as with idea Europe ‘setting forth’ is epiphany not from rear view and images.       


Once upon a time explains the mindset of the desiderata, the narrator is speaking from a time, as if he or she speaks to an idea, for Europe based on some history, which for all memories can and still disappoint. George Steiner is here a humanist, and his essaying about Europe and its future, that an idea of Europe is based on a character based on the persecutions of the Church and against the Church yielding grudgingly to asunder of State and the Church. Steiner claims a future in his essay that “A post Christian Europe may emerge, though slowly and in ways difficult to predict, from the shadows of religious persecution. In a world now in the grip of murderous fundamentalism, be it that of the American South or Midwest, be it that of Islam, Western Europe may have the imperative hammering out, of enacting a secular humanism. It can purge itself of its own dark heritage.…”

It is impossible to see Steiner plainly as an advocate for Europe caught in the cycle of ‘dark heritage’. 



If we can judge the last lines from the initial dispatch, he seems to believe that the character of Europe is equal to the acts of the Christian church, a pride slovenly dispelled from the acceptance that ‘a post Christian Europe’ was equally detrimental, equally useful and proves in part that conflict in part defies character but in whole, if not in part, war is history and an idea. Our point is faulted in impugning on divided Europe and Jewry but here and once more like elsewhere, the gulf assume new significance when Europe and its past is no more than a shadow in the history and narrative of Joyce Country Ireland. We may end from when we began by casting Europe as Ireland as Joyce Country Ireland begins to replace Europe. 


What invokes an epiphany? Monotony or a deference, the idea of one language is not upon an Eden, or with Europe as one people or an idea, or Europe perhaps a culture ridden to acts, or a realia based upon a ‘blue guitar’ and some Irish Country called Joyce. Instead of the ‘worlds of Richelieu, of Palmerston and of Bismarck,’ and the morality of our niceties religion which everyone can disagree, we can hum for Joyce Country and perhaps like William Blake ‘Auguries of Innocence’ or perhaps another, we are off “To see a world in a grain of sand/And heaven in a wild flower/Hold infinity in the palm of your hand/and eternity in an hour.”  
 

Veranda --- The art of outdoor living, Author -- Lisa Newsom

Veranda --- The art of outdoor living
Veranda
The art of outdoor living
Author -- Lisa Newsom
Year – 2013, Price $60.00
Publisher – Hearst Books

Review - Sampson I. Onwuka

The books cover the lengthy discourse on outdoor architecture, filled with fanciful decorations and pictures covering (1) classic (2) modern (3) romantic (4) exotic ages and neoclassical ages in Veranda Architecture. The articles and the selected pictures are based on Veranda magazine launched in 1987 with a drop back to California developer Joseph Eichler. The Veranda of classical periods generally covers continental Europe and the landscape of the Castles of great citizens, American Northeast, South and Southwest. Part of the reason is the continental shifts from Europe to United States which occurred during the classical periods, where migration occurred as well and the culture preserved in the presence of these countries go a long way.

Some of the gray areas covered by author include the important information for some of the pieces of arts covered namely – Beau Jardin, the Rosaraie de Bagetelle, and Bagatelle Rose Garden – park the Bagatelle, including, famous for its wealth of Napoleon, and the bagatelle remembered through Beethoven’s music. These Bagatelles in some sense invoke the sensuous power of control corridor, for rulers in medieval ages, used and maintained by the Kings who wrest themselves from wars, exuding the confidence as they banter from the war, they breath down on the cheering group and adoring group and overlooking the attached porticos, courts and Verandas inherited from the Church following the reformation.
 
The next string of cities; Atlanta, Belgium, show the disappearing importance of Castles and courtyards, the followers becomes less opiate and become less stranded, the Veranda and the gardens show impression and patience. The Gardens are deliberately cultivated and have a smattering of similar color. These colors differ and the book is full of several options to choose from. One of more daring of these Gardens is the English Roses, cultivated and eventually abandoned but transformed by Wirtz and Sons. Some of their work can be seen in Dallas estate inspired by comparison to France, Italy, Morocco and New England, especially the small arch and porticoes. These uses of Arch and other deliberate use of writing were perfected.

In such Architects like Larry E. Boerde for landscape – Paul Field of Lambert as inspired by Rosecliff is the Yolande d’ Aragon picture –which reveal the problem of maintenance given the arrangement of Lavenders, Tulips, etc., leading to the Patio. They differ with the French because of the ‘bastille’s patio’ and the surrounding ‘grand basis’ are items that rest essay on the Gilded Age mansion, or Standford White,  or the Grand train on at Versailles. With the French the Romantic spell the case for the exotic and we never quite make it there. Other classic ages relating the French to English include small yard flower for courts embodying the idea of a court garden – surrounding a classic building– one of the exceptions in her approach is the introduction to the neo-classical age – with emphasis on land area, for instance a (16 acres garden) living buildings and accommodation sparse with outdoor aquatic lifestyles and effeminate use of native plants. We may regard this neo-classical age.

Neo-classical and domestic --- clearly modern architecture is the cure of New York and from the picture these differ separately with Southern California – that bring in the possibilities of farm-rich American landscape – they shift to Asia visible ships with approach an Asia manor of religions retreat with large scale retreats. Modern Garden and Veranda is choice of Place, and as we see in the classic age preceding the first (WWI) there is Romantic as characteristic of “Brilliant watercolor – worthy landscapes brought to life with a feminine, slightly flirtatious, flair…” invoking feminine images of the bible, flowers/and it colors – ‘with examples of a painter’s muse’.
 
One of ‘Claude Monet’s’ masterpieces – at Giverny - is a theme for the Veranda. The English dominate the landscape by this artist – between the Urbane, the Color, and Spectacle – some of his work is designed and arranged to accommodate the issue of biannual flowers, to the light house and the corridor overlooking the long distant green acres, the shift from imposing castle mate to veranda for art sake is gradually arrived at. The exuberance and careful use of flowers compels the reaction, exuding what may be called the Exotic given the bionic gravitas. A major Character of the exotic is (1) the Garden variety which inspire the age.
 
Veranda at this image proclaim something else, the Garden’s inspired by distant places can transport us, even when they are close to home!  But in 1940 – there are inspirations from Hollywood and inspirations from televisions that were set to influence the modern age. The neighborhood such as (classic oriental) and the some of the Veranda and Castle-like Courts become more personal in the post WWII verandas.